莱奥诺拉的告别 Leonora Addio (2022) 7.5
导演：保罗·塔维亚尼
主演：娜塔丽·拉布蒂·戈麦斯 马西莫·波波利齐奥 法比齐奥·费拉卡尼
类型：剧情
制片国家/地区：意大利
又名：别了，莱奥诺拉 / 莱奥诺拉·阿迪奥 / 再见，莱昂诺拉
剧情简介：Three years aft the loss of his broth Vittorio, with whom he shared his entire care, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but the is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rath, his ashes, which are transported from a hasty burial site in fascist Rome to a pmanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the mast, Leonora addio then shifts gear from road movie to film adaptation, but he it picks a diffent Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writ’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brothly farewell which, just as in 2012’s Golden Bear winn Caesar Must Die, once again uses cinema to give voice to litature and history.