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残酷 Brutal (2018) 6.3
导演：广濑贵士
主演：仁科贵 亚矢乃
类型：恐怖
制片国家/地区：日本
又名：
剧情简介：Constantly on the hunt and suffing from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of h knife. Driven by the same force to make the opposite sex suff, the kills’ fates inttwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murd.
“Brutal” takes an intesting approach to its visuals, drawing heavy influence from Westn “Grindhouse” films, using a filt to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as oth than applying the filt it does not imitate any oth aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the cama. Extior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagy and even gives a sense of despation to try to capture a ctain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not off enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an intesting twist, with a reveal that is bound to gross some out, while giving oths a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and enttaining challenge in that regard.
“Brutal” takes an intesting approach to its visuals, drawing heavy influence from Westn “Grindhouse” films, using a filt to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as oth than applying the filt it does not imitate any oth aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the cama. Extior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagy and even gives a sense of despation to try to capture a ctain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not off enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an intesting twist, with a reveal that is bound to gross some out, while giving oths a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and enttaining challenge in that regard.
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